Etymologie, Etimología, Étymologie, Etimologia, Etymology
UK Vereinigtes Königreich Großbritannien und Nordirland, Reino Unido de Gran Bretaña e Irlanda del Norte, Royaume-Uni de Grande-Bretagne et d'Irlande du Nord, Regno Unito di Gran Bretagna e Irlanda del Nord, United Kingdom of Great Britain and Northern Ireland
Musik, Música, Musique, Musica, Music

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B-A-C-H, B-B-C, B-E-E-F, C-A-B-B-A-G-E (W3)

Die englischen Tonbezeichnungen (C D E F G A B) erlauben die musikalische Verschlüsselung von Begriffen. Insbesondere kann der Name eines der grössten Komponisten mit der Notenfolge "B-A-C-H" dargestellt werden.

Die "B-B-C" hat sich musikalisch verewigt.

John Field bedankte sich mit "B-E-E-F" (= "(Rind-)Fleisch") und "C-A-B-B-A-G-E" (= "Kohl(-kopf)") für eine Einladung zum Essen.

(E?)(L?) http://www.bach.gwdg.de/
(E?)(L?) http://www.bbc.co.uk/
(E?)(L?) http://www.beef.org/
(E?)(L?) http://news.surfwax.com/music/files/John_Field_music.html

The Irish composer John Field once sent two grateful melodies to a hostess after a nocturnal feast, the first spelling out "BEEF" and the second "CABBAGE". And ciphers have often been used for more intimate purposes, as in Brahms's musical love letters and Schumann's white-hot anagrammatic wooing of his pianist child bride, "Clara". But the release on CD of the definitive version of Alban Berg's Violin Concerto allows us to savour a uniquely convoluted and fateful musical mystery: no composer was more... (The Australian, Australia).

(E?)(L?) http://www.urbanext.uiuc.edu/veggies/cabbage1.html
(E?)(L?) http://de.wikipedia.org/wiki/Ton_(Musik)
(E?)(L?) http://de.wikipedia.org/wiki/Anderssprachige_Tonbezeichnungen

C

Clarinet (W3)

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E

F

finale (W3)

Das engl./dt./ital. "Finale" = "Endrunde", "Schlußsatz" ist ein Nachkomme des ital. "finalista" und des lat. "finalis" = "die Grenze betreffend", "das Ende betreffend".

ETYMOLOGY: Italian, from Latin "finalis" = "final". See "final".

(E?)(L1) http://www.musiklehre.at/fachwortlexikon/f.htm
(E?)(L?) http://dictionary.reference.com/
(E?)(L?) http://visualthesaurus.com/?w1=finale
(E?)(L?) http://wordsmith.org/words/finale.html

...
[From Italian, from Latin "finalis" ("last"), from "finis" ("end") that's also the source of such words as "final", "finish", "finance", "define", and "fine".]
...

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Goth, Gothic (W3)
Origins of the term "Goth"

(E?)(L?) http://www.scathe.demon.co.uk/name.htm

The name "goth" originally came from a Germanic tribe (ie the "Goths"). The Romans regarded them as barbaric and uncultured, much like the Vandals. "Gothic" was later applied to a style of medieval architecture by critics who regarded it as similarly barbaric and uncultured (something similar happened with the term "Vandal"). The term was later applied to a late 18th/early 19th century style of literature which had a fascination with death and the supernatural.

Exactly how "goth" became applied to the "post-punk musical movement" is unclear. The earliest use within the post-punk scene is likely to have been either by Martin Hannett, Joy Division's producer, or by Siouxsie and the Banshees in the summer of 1979 (see below). By late 1979 and early 1980, the term "gothic" seems to have been fairly common in music journalism to describe bands such as Joy Division and the Banshees. In 1981 Abbo from UK Decay used the term "gothic" to describe the emerging band movement. Then later, probably about 1982, Ian Astbury used the term "goths" to describe Sex Gang Children's fans. On the surface, there seems to be a clear progression here, with the term gothic/goth being used to describe first individual bands, then a movement of bands, then the followers of that movement.
...

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I

It ain't over 'til the fat lady sings
It's not over till the fat lady sings
The opera ain’t over until the fat lady sings
Church ain't out until the fat lady sings (W3)

Opernsängerinnen mit einer vollen Stimme werden auch mit einer passenden Körperfülle assoziiert. Meist singt die Heldin auch den letzten Part in einer Oper. Und der Vorhang fällt erst, wenn die Helden zu Ende gesungen hat. Erst dann ist die Vorstellung zu Ende.

Die Übernahme dieser Redewendung in andere Lebensbereiche soll um 1978 durch den Sportkommentator Dan Cook begünstigt worden sein.

Eine weiter Abwandlung ist engl. "Church ain't out until the fat lady sings", das für 1976 attestiert wird.

(E?)(L?) http://www.owad.de/owad-archive-quiz.php4?id=2097
(E?)(L1) http://www.usingenglish.com/reference/idioms/i.html
(E1)(L1) http://www.w-akten.de/worte.phtml
(E?)(L?) http://www.wordorigins.org/index.php/big_list/
(E1)(L1) http://www.worldwidewords.org/qa/

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Jethro Tull (W3)

Die 1967 von Ian Anderson gegründet Rockgruppe "Jethro Tull" nannte sich nach dem schottischen Agrarwissenschaftler des 18. Jahrhunderts.

Angeblich hat sich die Geschichte etwa wie folgt zugetragen:

Damit die anfangs nicht sehr erfolgreiche Band immer wieder die Chance eines Auftritts erhielt, wechselte ihr Manager wöchentlich den Namen. Als sie wider erwarten eines Tages im Marquee Club ein zweites Mal spielen sollten, mußten sie den selben Namen verwenden und der war gerade "Jethro Tull". Anscheinend begann damit der Aufstieg und sie behielten den Namen bei.

Jethro Tull führte einige Verbesserngen in der Landwirtschaft ein - er wird sogar als "Vater der Agrarwissenschaft" bezeichnet. So entwickelte er im Jahr 1731 eine Sämaschine für reihenweises Säen. Weitere Verbesserungen waren eine von einem Pferd gezogene Hacke zum Jäten von Unkraut und Vorschläge zur Gestaltung des Pflugs.

Tull, Jethro, English agriculturist

(E2)(L1) http://www.1911encyclopedia.org/Jethro_Tull
(E1)(L1) http://www.amiright.com/artists/jethrotull.shtml
(E?)(L?) http://www.berkshirehistory.com/bios/jtull.html
(E?)(L?) http://www.biografiasyvidas.com/biografia/t/tull.htm
(E?)(L?) http://www.cornways.de/hi_bode.html
(E2)(L2) http://www.heathenworld.com/bandname/nav2.aspx
(E6)(L?) http://www.laut.de/wortlaut/artists/j/jethro_tull/index.htm
(E?)(L?) http://www.library.wisc.edu/etext/BookofDays/07590730.html
(E?)(L?) http://www.rocksbackpages.com/artist.html?ArtistID=jethrotull
(E?)(L?) http://www.swr3.de/-/id=150658/x8ddjr/index.html
Texte von:

Jethro Tull: Another Christmas Song
Jethro Tull: Bungle In The Jungle
Jethro Tull: Too old to Rock'n'Roll: Too young to

(E?)(L?) http://www.swr.de/swr1/bw/musik/musiklexikon/-/id=446280/nid=446280/did=714274/hmp15l/index.html
Jethro Tull: Locomotive Breath

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1972
Living In The Past - by Jethro Tull

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1974
Bungle In The Jungle - by Jethro Tull

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1987
Farm On The Freeway - by Jethro Tull
Steel Monkey - by Jethro Tull

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1988
Part Of The Machine - by Jethro Tull

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1989
Kissing Willie - by Jethro Tull

(E?)(L?) http://de.wikipedia.org/wiki/Jethro_Tull_(Landwirtschaft)

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Klingonz (W3)

Der name der Gruppe nimmt anscheinend Bezug auf die Klingonen.

(E6)(L?) http://www.laut.de/wortlaut/artists/k/klingonz/biographie/index.htm

...
Da sich das Leugnen nicht länger lohnt, stellt sich anhand ihrer Frisuren schnell heraus, dass ihre wahre gemeinsame Herkunft ein anderer Planet sein muss.
...
Aber die Aliens gewöhnen sich schnell an das menschliche Leben, vor allem die Trinksitten von Klingonen und Menschen weisen offensichtlich mehr Parallelen auf, als es zunächst den Anschein hatte.
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My Bloody Valentine (W3)

Die Band "My Bloody Valentine" nannte sich nach einem Horror-Film.

(E?)(L?) http://www.amiright.com/artists/mybloodyvalentine.shtml
(E?)(L?) http://www.apple.com/itunes/charts/tv-shows/supernatural/my-bloody-valentine/
My Bloody Valentine: 3D

(E2)(L2) http://www.heathenworld.com/bandname/
(E?)(L?) http://www.kinowelt.de/trailer.php

My Bloody Valentine 3D
My Bloody Valentine 3D / Blu-ray

(E6)(L?) http://www.laut.de/wortlaut/

(E?)(L?) http://www.moviemaze.de/filme/archiv/2.html
My Bloody Valentine 3-D

(E?)(L?) http://www.rocksbackpages.com/artist.html?ArtistID=mybloodyvalentine

(E1)(L1) http://ngrams.googlelabs.com/graph?corpus=0&content=My Bloody Valentine
Abfrage im Google-Corpus mit 15Mio. eingescannter Bücher von 1500 bis heute.

Engl. "My Bloody Valentine" taucht in der Literatur um das Jahr 1960 auf.

Erstellt: 2011-02

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Phonology (W3)

(E?)(L?) http://www.bbc.co.uk/education/asguru/english/05languageframeworks/27phonology/index.shtml

...
"Phono" is the Greek word for "sound" of "voice" and "-ology" is Greek for "study". Although this would seem to be directing us exclusively to the spoken word, there are forms of phonology which can be indicated in the written word too.
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Sting (W3)

Der britische Musiker "Gordon Matthew Thomas Sumner" erhielt sein stacheliges Pseudonym "Sting" als er eines Tages mit einem schwarz-gelben Bienen-T-Shirt im Proberaum auftauchte. Schhließlich machte er es zu seinem Markennemen.

(E?)(L?) http://de.wikipedia.org/wiki/Sting

Erstellt: 2010-07

swr1
PopLyrik- Musik-Texte übersetzt

(E?)(L?) http://www.swr.de/swr1/bw/musik/musiklexikon/-/id=446280/nid=446280/did=714274/hmp15l/index.html
21.10.2007:

A-Z sortiert nach Interpret
Alle Songs und Texte

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ABBA: Dancing Queen
ABBA: I have a dream
ABBA: Money, Money
ABBA: The winner takes it all
Adams, Bryan: Inside out
Adams, Bryan: Summer of '69
Anderson, Lynn: Rose Garden
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Beach Boys: Fun, Fun, Fun
Beatles: Lady Madonna
Beatles: Let It Be
Beatles: Norwegian wood
Beatles: Revolution
Beatles: When I'm 64
Beatles: Yesterday
Bee Gees: Stayin Alive
Bee Gees: You win again
Blunt, James: You´re beautiful
Bowie, David: Space oddity
Burgh, Chris de: Sailing Away
Bush, Kate: Don't give up
Byrds, The: Turn, Turn, Turn
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Carey, Mariah: Hero
Carey, Mariah/Houston, Whitney: When you believe
Chapman, Tracy: Baby Can I Hold You
Clapton, Eric: Circus
Clapton, Eric: Tears in heaven
Clapton, Eric: Wonderful tonight
Cocker, Joe: Different roads
Cocker, Joe: N´oubliez jamais
Cocker, Joe: With a little help from my friends
Cohn, Marc: Rest for the weary
Cohn, Marc: Walking in Memphis
Cole, Paula: Where have All The Cowboys Gone
Collins, Phil: Against all odds (Take a look at me now)
Collins, Phil: Another day in paradise
Collins, Phil: Father to Son
Collins, Phil: Lorenzo
Corrs, The: No frontiers (Heaven knows)
Crosby, Stills, Nash & Young:: Woodstock
Crosby, Stills, Nash & Young: Teach your children
Cross, Christopher: Ride like the wind
D
Dire Straits: Brothers in arms
Dylan, Bob: Don't think twice
Dylan, Bob: Like A Rolling Stone
Dylan, Bob: The times they are changing
E
Eagles: Hotel California
Enya: Only Time
Eurythmics: I saved the world today
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Gabriel, Peter: Don't give up
Gall, France: Babacar
Gaynor, Gloria: I will survive
Genesis: Land of Confusion
Genesis: The carpet crawlers
Guthrie, Arlo: The City of New Orleans
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Houston, Whitney/Carey, Mariah: When you believe
J
Jackson, Michael: Earth Song
Jarreau, Al: Mornin
Joel, Billy: Piano man
Joel, Billy: She´s always a woman
John, Elton: Candle in the wind
John, Elton: Can you feel the love tonight
John, Elton: Sorry seems to be the hardest word
John, Elton: Your song
Johnson, Kevin: Rock 'n' Roll (I gave you all the best years of my life ...)
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Kansas: Dust In The Wind
King, Carole: You've got a friend
King, Carole: You will find me there
Kinks: Lola
Knopfler, Mark: Sailing to Philadelphia
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Led Zeppelin: Stairway to Heaven
Lennon, John: Working Class Hero
Lennox, Annie: Why
Lewie, Jona: Stop the cavalry
Liza Minelli/Frank Sinatra: New York, New York
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Mann, Manfred: My Name Is Jack
Marley, Bob: No woman no cry
Matthews´ Southern Comfort: Woodstock
McTell, Ralph: Streets of London
Meat Loaf: I'd do anything for love
Michael, George: You have been loved
Midler, Bette: The rose
Mike & The Mechanics: Another Cup of Coffee
Mike & The Mechanics: The living years
Miles, John: Music
Mitchell, Joni: Love
Mitchell, Joni: Woodstock
Moody Blues: Nights in white satin
Morissette, Alanis: Ironic
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N´Dour, Youssou & Neneh Cherry: Seven Seconds
O
Orange Blue: Can Somebody Tell Who I am
Osborne, Joan: One of us
P
Petty, Tom: Into the great white open
Pink Floyd: Money
Pink Floyd: Wish you were here
Police: Every Breath You Take
Presley, Elvis: Heartbreak Hotel
Presley, Elvis: In the Ghetto
Presley, Elvis: Suspicious Minds
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Queen: Bohemian Rhapsody
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Raitt, Bonnie: Nick of time
Ramazzotti, Eros: Adesso Tu (Jetzt du)
Ramazzotti, Eros: Più bella cosa
Ramazzotti, Eros: Se bastasse una canzone
REM: Losing my religion
Richie, Lionel: Ballerina girl
Richie, Lionel: Hello
Rogers, Kenny: Coward of the county
Rogers, Kenny: Lucille
Rogers, Kenny: Ruby, don´t take your love to town
Rolling Stones: Angie
Rolling Stones: Brown sugar
Rolling Stones: Like A Rolling Stone
Rolling Stones: Mother´s little helper
Rolling Stones: Satisfaction
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Sasha: I feel lonely
Simon, Carly: You´re so vain
Simon, Paul: 50 ways to leave your lover
Simon, Paul: Graceland
Simon, Paul: Still Crazy After All These Years
Simon and Garfunkel: Bridge over troubled water
Simon and Garfunkel: I'm a rock
Springsteen, Bruce: Born in the USA
Stevens, Cat: Father and son
Stewart, Rod: I am Sailing
Stewart, Rod: Waltzing Mathilda
Sting: Brand New Day
Sting: Englishman in New York
Sting: Fields of Gold
Sting: Let your soul be your pilot
Sting: Seven days
Supertramp: Take the long way home
T
Taylor, James: Enough To Be On Your Way
Taylor, James: You've got a friend
Turner, Tina: When The Heartache Is Over
Twain, Shania: That don't impress me much
U
U2: I still haven´t found what I´m looking for
Uriah Heep: Lady in black
V
Vega, Suzanne: Luka
W
Wham: Last Christmas
Who, The: Behind Blue Eyes
Williams, Robbie: Feel
Winwood, Steve: Higher Love
Womack & Womack: Teardrops
Y
Young, Neil: Heart Of Gold
Z
Zager & Evans: In the year 2525
Zucchero: Diamante

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UB40 (W3)

Benannt nach dem englischen Formular für Arbeitslosengeld, "UB" = "Unemployment Benefit".

(E?)(L?) http://www.amiright.com/names/bandnameorigins.shtml
(E?)(L?) http://www.biografiasyvidas.com/biografia/u/index0001.htm
(E2)(L2) http://www.heathenworld.com/bandname/
(E?)(L?) http://www.nostalgie.fr/indexaz/
(E?)(L?) http://www.rocksbackpages.com/library.html
(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1984
Red, Red Wine - by UB40

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1985
I Got You Babe - by UB40 with Chrissie Hynde

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1988
Breakfast In Bed - by UB40 with Chrissie Hynde

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1990
The Way You Do The Things You Do - by UB40

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1991
Here I Am (Come And Take Me) - by UB40

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1993
Can't Help Falling In Love - by UB40

(E?)(L1) http://www.top40db.net/Find/Songs.asp?By=Year&ID=1993
Higher Ground - by UB40

(E?)(L?) http://de.wikipedia.org/wiki/UB40
(E?)(L?) http://en.wikipedia.org/wiki/List_of_band_name_etymologies

Uriah Heep (W3)

(E?)(L?) http://www.swr.de/swr1/bw/musik/musiklexikon/-/id=446280/nid=446280/did=1533104/1mm84b/index.html

Der Name Uriah Heep geht auf eine skurrile Romanfigur aus Charles Dickens' Buch "David Copperfield" zurück, einer der bösen Gegenspieler des vom Schicksal gebeutelten Helden.
...

(E?)(L?) http://www.uriah-heep.com/

V

Viol, Viola da gamba (W3)

Engl. "Viol" (15. Jh.), dt. "Viole" geht zurück auf mfrz. "viole" und altprov. "viola".

Die engl. "Viola da gamba" (1597) geht zurück auf ital. "gamba" = "Bein" und heißt also wörtlich "Beinviole".

(E?)(L?) http://www.violadagamba.com/

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Buecher zur Kategorie:

Etymologie, Etimología, Étymologie, Etimologia, Etymology
UK Vereinigtes Königreich Großbritannien und Nordirland, Reino Unido de Gran Bretaña e Irlanda del Norte, Royaume-Uni de Grande-Bretagne et d'Irlande du Nord, Regno Unito di Gran Bretagna e Irlanda del Nord, United Kingdom of Great Britain and Northern Ireland
Musik, Música, Musique, Musica, Music

amazon - Musik, Música, Musique, Musica, Music

Musica (IT)

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North, Roger (Autor)
Chan, Mary (Herausgeber)
Kassler, Jamie (Herausgeber)
The Musicall Grammarian 1728
(Cambridge Studies in Music)

(E?)(L1) http://www.amazon.ca/exec/obidos/ASIN/0521024919/etymologporta-20
(E?)(L1) http://www.amazon.de/exec/obidos/ASIN/0521024919/etymologety0f-21
(E?)(L1) http://www.amazon.fr/exec/obidos/ASIN/0521024919/etymologetymo-21
(E?)(L1) http://www.amazon.it/exec/obidos/ASIN/0521024919/etymologporta-21
(E?)(L1) http://www.amazon.co.uk/exec/obidos/ASIN/0521024919/etymologety0d-21
(E?)(L1) http://www.amazon.com/exec/obidos/ASIN/0521024919/etymologpor09-20
Taschenbuch: 324 Seiten
Verlag: Cambridge University Press; Auflage: Pbk Version. (20. April 2006)
Sprache: Englisch

Kurzbeschreibung
Roger North's The Musicall Grammarian 1728 is a treatise on musical eloquence in all its branches. Of its five parts,

I and II, on the orthoepy, orthography and syntax of music, constitute a grammar;
III and IV, on the arts of invention and communication, form a rhetoric; and
V, on etymology, consists of a history.

Two substantial chapters of commentary introduce the text, which is edited here for the first time in its entirety: Jamie Kassler places his treatise within the broader context not only of North's musical and non-musical writings but also their relation to the intellectual ferment of the seventeenth and eighteenth centuries and Mary Chan describes physical and textual aspects of the treatise as evidence for North's processes of thinking about musical thinking.

Erstellt: 2011-12

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